The Portrait Studio spotlights Aurora, a beautiful life-size unicorn, and immersive backdrops that turn magical moments into treasured portraits.

There’s a unicorn in Texas. Inside a magical portrait studio with immersive backdrops and whimsical elements, a life-size unicorn, Aurora, takes center stage to provide unique portrait experiences for children and their families. Once Upon a StoryBook Studio captures the magic of childhood with mythical creatures and enchanted wonderlands as the backdrop.

Jennifer Gomez, award-winning photographer, U.S. Coast Guard veteran, master set builder, and owner of Once Upon a StoryBook Studio, takes the initiative to create each enchanting portrait adventure. She meticulously handcrafts each set to ensure that each child experiences a unique and immersive portrait session they will never forget.

Along with her team, Jennifer aims to commemorate moments of genuine excitement and wide-eyed wonder in stunning portraits that families will cherish for generations.

Stepping into Once Upon a StoryBook Studio transports kids to a fantasy world that brings the most creative fairy tale adventure to life. They inspire a child’s innate curiosity and creativity and boost their self-confidence, making them feel special, important and loved.

This award-winning studio offers a variety of portrait adventures to suit all tastes. These include Royal Fairytale, The Real Santa Claus, The Regal Family, The Wizard’s Apprentice and soon The Dragon’s Hero.

Book a fantastic portrait experience with Once Upon a StoryBook Studio here: http://www.onceuponastorybookstudio.com/.

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Company Name: Once upon a time there was a storytelling studio
Contact: jennifer gomez
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Call: 512-456-3508
The country: United States
Website: http://www.onceuponastorybookstudio.com/

Alice Friman is an award-winning poet whose connection to Georgia began in 2001 when she was invited to read his work for the Georgia Poetry Circuit. A resident of Milledgeville since 2003, her work is distinguished by a biting wit and concern for the natural world.

Early life and works

Alice Ruth Friman was born in New York City on October 20, 1933, the youngest daughter of small business owners Joseph Pesner and Helen Friedman Pesner. Raised in Washington Heights and educated in New York public schools, she earned a BA in elementary education from Brooklyn College in 1954 and taught at schools in Harlem and the Bedford-Stuyvesant section of Brooklyn. She married Elmer Friman in 1955 and the couple moved, first to Dayton, Ohio, in 1956, then to Indianapolis, Indiana, in 1960. There Friman earned a master’s degree in English from Butler University in 1971 and began teaching at Indiana Central College. (later Indianapolis University). The couple, who had three children, divorced in 1975.

Hired as an adjunct and later promoted to full professor, Friman taught English and creative writing and helped found the Indiana Writers Center. In 1978, she published A matter of innocence, a collection of poems. Three more collections followed, and in 1984, Reportage from Corinth, his first complete collection, appears. Friman remarried in 1989, and in 2003 she and her second husband, Marshall Bruce Gentry, a Flannery O’Connor Scholar, moved to Milledgeville, where he had been invited to teach at Georgia College and the University of State. Friman began teaching at the college shortly thereafter and later served as poetry editor for the Arts & Letters newspaper.

Although his poems often center on death and loss, Friman’s verses have been variously described as fierce and humorous. Like she said Contemporary authors, “My images… are mostly from childhood and seem to be about desire.” His next two collections, reverse fire (1997) and zoo (1999), explore similar ground, focusing on sadness and undone things. In reverse fire, for example, the speaker longs for “a simpler light, perhaps that never was”. Empty spaces, “broken decency” and dissected love are reproduced in the speaker’s perception of the world around him. The poems in zoo contemplate the vagaries of memory, unfinished lives and failures. As always, Friman is a keen observer of nature and, like Wordsworth or Thoreau, instructed by it. There is also the ever-present barrier between man and the natural world; the speaker reminds us that there is “a pawn for a promise”, but this promise is often ill-defined and unresolved.

Later works

The rotten girl book (2006) describes Friman’s experiences as her parents’ caretaker in their final days, exploring topics of guilt, grief and loss. These austere but intimate poems move from anger to acceptance, as Friman explores his father’s passing and his rejection:

hold hands

who for sixty-two years refused mine

singing the song he never sang for me

The title of his next volume, vinculum (2011), comes from the Latin “to bind” or “to connect”. At seventy, she is “still struggling in the shadows” of her mother’s death and trying to connect the past with the present. In a telling line from “Birches,” the speaker asks, “What’s heaven without nostalgia?” This question is at the heart of many of Friman’s poems. It is often in contradiction with the real and the imaginary.

Saturn’s view (2014) attempts to look at the earth from two angles: objective distance and subjective reflection. The impetus for the volume comes from the fact that Friman observed the planet Saturn through a powerful telescope on the Big Island of Hawaii. Envisioning the bigger picture and asking ourselves why we are here, Friman returns to the central purpose of his poetry: “Why else / do we write, but to deliver / the void and fill it.” The speaker of these poems finds beauty all around her, and her joy is realized when she can dance, remember or write.

bloody weather (2019), her seventh comprehensive collection, deepens the relationships she has explored in previous volumes: her struggle with loss and her concern for the natural world. Like so many of his poems, the plays of bloody weather turn common events into revelations. Throughout the collection, blood signifies trauma as much as vitality, and in Friman’s hands, acts of bloodletting become acts of understanding. True to the vision of one of her favorite authors, Thoreau, she was a fearless and truthful witness to the possible.

Alice Friman’s poetry, which she often calls “my sweet hell”, has won numerous awards, including two Pushcart awards, the Georgia Author of the Year Award in Poetry in 2012 for vinculum, three awards from the Poetry Society of America and the Ezra Pound Poetry Award. His poems have been published in fourteen countries and in numerous anthologies. She has received fellowships from the Hambidge Center for Creative Arts and Sciences as well as the Yaddo and MacDowell Literary Colonies, among others. In 2002, she received an honorary doctorate from the University of Indianapolis, where she taught from 1971 to 1993.

Ernest Hartsock was an award-winning poet, editor and publisher. Although largely forgotten, Hartsock and his press, Bozart, existed at the center of Atlanta’s poetic scene in the 1920s.

Ernest Abner Hartsock Jr. was born in Atlanta on May 5, 1903 to Ernest Abner Hartsock Sr. and Alta May Sanner, both from Maryland. After attending Boys High School, where he wrote for the school newspaper, Hartsock received bachelor’s and master’s degrees from Emory University in 1925 and 1926, respectively. As an undergraduate, Hartsock worked for the Latin department, then taught English classes while earning his master’s degree. In 1925 Hartsock published his first collection of poetry, Romance and Stardust. He was also editor-in-chief of emory phoenixthe university’s literary magazine, and has been published in national poetry journals.

After earning his master’s degree, Hartsock was hired to teach English at the Georgia School of Technology (later Georgia Institute of Technology). While at Georgia Tech, Hartsock founded Bozart Press, future publisher of the “little magazine” Bozart: the bimonthly poetry magazine and fifteen books of poetry. The distinctive name of the press was adopted in response to HL Mencken, who ridiculed the South and its cultural milieu, calling it “the Sahara of the Bozarts”. Bozart would become the nation’s second-largest poetry publication, claiming among its subscribers the upper echelon of the poetry world. In 1927 Hartsock published his second book of poetry, Narcissus and Iscariot.

Thornwell Jacobs, president of Oglethorpe University in Atlanta, appointed Hartsock the first professor of poetics in 1929, a position Hartsock would hold until his death. Also in 1929, the Poetry Society of America awarded Hartsock its first annual award for his poem “Strange Splendor”. Hartsock, unable to afford the trip to the New York ceremony, was sponsored by the Atlanta Journal, for which he often wrote book reviews.

Based on the success of his publication and the notoriety gained by his published poems, Hartsock was in great demand as a guest speaker and columnist. He traveled extensively throughout the Southeast visiting poetry societies and universities offering readings and presentations. Struggling financially throughout his life – he supported his mother and father – Hartsock lectured and taught until his doctors ordered him to bed. Hartsock’s health deteriorated dramatically in the fall of 1930, and on December 14 he succumbed to pernicious anemia at Wesley Memorial Hospital (later Emory University Hospital) in Atlanta. His last book of poetry, strange splendor, had been published two months before his death. Historian C. Vann Woodward, one of Emory’s closest friends, was at his side during his death.

Today, few physical reminders of Hartsock remain. The Philip Weltner Library at Oglethorpe University features a bronze bust of German-born sculptor and Oglethorpe art teacher Fritz Zimmer, as well as a plaster bust of fellow Atlanta poet and friend of Hartsock, BlossomTucker. Hartsock’s papers are housed in the Stuart A. Rose Manuscript, Archive, and Rare Book Library at Emory.

Hartsock was buried in Westview Cemetery in Atlanta. His father and mother were later buried there in 1938 and 1960, respectively. A large bronze plaque with his poem “Second Coming” stands on the Hartsock family grounds. After their son’s death, Hartsock’s parents transferred ownership of the Bozart press and newspaper to Oglethorpe. Jacobs and Benjamin Musser, a New Jersey-based poet and friend of Hartsock, would serve as co-editors.

Fans published memories of Hartsock in national periodicals after his death, and friends and family mourned his passing at memorials in Atlanta. A plaque, now lost, was unveiled at the main branch of the Atlanta Public Library. There was even a brief movement to buy his last home and create a memorial and poetry museum near Emory University’s Decatur campus.

Red Canary Collective is a nonprofit collective that provides creative and strategic support to communities working towards a more sustainable and equitable future.

They work with philanthropists, journalists, nonprofits, filmmakers and photographers to create media that helps promote a more sustainable future through their Red Canary Magazine.

Red Canary magazine background

Red canary magazine brings deeply reported journalism that is dedicated to highlighting existential issues of the environment, sustainability and social justice. Sponsored by the Red Canary Collective and edited by award-winning Los Angeles-area journalist Joe Donnelly, the magazine was launched at the height of the pandemic and has been swimming against the tide of conventional wisdom ever since.

Highlights include Erin Aubry Kaplan on the radical overhaul of police reform, Phuong-Cac Nguyen’s cross-generational conversation exploring the weight of culture and identityand essential reporting by Sam Slovic from Border between the United States and Mexico. here is a video chronicling more of this difference work from the Red Canary team.

Here are some more examples of the great work Red Canary Magazine has done over the past few months.

The Mission of Red Canary Magazine

Red Canary Collective’s mission is to help other nonprofits, philanthropists, journalists and others who do good work inspire their audiences. They use a full range of services including strategic consulting, social media marketing, video production and public relations to help our clients build the future world they want.

Red Canary Magazine creates a mix of media which may include:

• Print and digital marketing materials, such as direct mail, fundraisers, and websites

• Films and documentaries with strong messages

• Photographic projects to capture important stories from around the world

• Films to use on social media to inspire action

• Social media content, such as videos, infographics, memes, and other graphics designed to be shared on Facebook, Instagram, or Twitter

If you are a non-profit leader, philanthropist, or changemaker, Red Canary Magazine can work with you to create media that amplifies the stories of people who are making positive change. Their creative team is made up of creatives from across the country to bring their decades of combined experience in social equity and environmental issues. They have a genuine connection with the people doing the advocacy. Want to know more about how they can help you with your initiative? Contact Red Canary Collective and work together to bring about positive change.

After a long road trip, “The Pigeon Comes to Pittsburgh!: A Mo Willems Exhibit” returns to the Children’s Museum of Pittsburgh.

Based on the “Pigeon” children’s book series by the award-winning author/illustrator month Willemsthe exhibition runs until May 8 at the premises of 10 Children’s Way on the North Side.

Beginning with “Don’t let the pigeon drive the bus!” from 2003, the book series places the main character in different situations in which he and young listeners learn a lesson. The Pigeon also makes an appearance in other Willems books.

“The pigeon is coming to Pittsburgh!” debuted at the Children’s Museum in 2018 and has traveled to over eight locations in North America.

The exhibit gives children and families the opportunity to explore activities and settings from Willems’ books featuring not only the Pigeon, but also best friends Elephant and Piggie and trusty companion Knuffle Bunny.

“Our collaboration with Mo Willems continues to inspire curiosity, creativity and joy at the Children’s Museum of Pittsburgh and beyond,” said museum executive director Jane Werner. “We are thrilled to once again host this exhibit which features some of the most beloved children’s book characters, and we can’t wait for children and families to explore and imagine what the world of Mo Willems can be like.”

Visitors have the opportunity to create works of art inspired by Willems and learn about the social and emotional lives of the author’s characters. The exhibition also features prints of Willems’ illustrations, including sketches and other preliminary material.

“The museum continues to have regular collaboration with (Willems) and our team continues to check in with him,” said Max Pipman, the museum’s communications director. “We hope to do more exhibitions with him in the future.

“His characters are among the most well-known and beloved visitors to the Children’s Museum and its educational center,” he added.

A limited number of signed copies of Willem’s latest book, “Opposites Attract,” are available in the museum’s Little Orange Store, Pipman noted. The book explores opposites in a non-traditional way through 18 abstract images.

Return of daily hours

The Children’s Museum of Pittsburgh is open 10 a.m. to 5 p.m. Wednesday through Sunday through January 31. Starting February 1, the museum will be open from 10 a.m. to 5 p.m. daily. The adjacent MuseumLab is open from noon to 5 p.m. Saturdays and Sundays.

A return to daily hours “has been a long time coming,” Pipman said. “We are very happy to be able to reach more children and families again.”

Advance tickets are strongly encouraged as capacity is limited. Masks are mandatory for all guests aged 2 and over and social distancing is enforced. Masks can be removed while eating or drinking in the museum cafe.

For more information, call 412-322-5058, email hi@pittsburghkids.org or visit pittsburghkids.org.